The vernal equinox is approaching, and Hangzhou West Lake is ushering in the most beautiful season of the year.

The Paper learned that on March 18, the special art exhibition "Song Yun Jinhui" opened at the Art Museum of China Academy of Art. "Land Rover of Lakes and Mountains-Song Rhyme Jiangnan Calligraphy and Painting Art" as the core exhibition, with the cooperation of the Palace Museum, Shanghai Museum, Liaoning Provincial Museum, Zhejiang Provincial Museum and other cultural and museum units, a total of 37 calligraphy and painting handed down from Song, Yuan, Ming and Qing Dynasties were exhibited ( group), including 13 first-class cultural relics (groups), including 10 pieces (groups) of Song calligraphy and painting. Among them, Liu Songnian's "Four Views of Landscape", Xia Gui's "Dwelling in Yanxiu Forest", Li Tang's "Hao Liang Qiushui", Ma Yuan's "Exploring Plum Trees" and other famous works in art history are presented one by one. For the first time in eight hundred years, the calligraphy and painting of the four masters gathered in Hangzhou for public display.

At the same time, "Ye Shan Gu Gu - Huang Binhong's Song Painting Research and Its Inheritance", "Establishing the Highest Peak - Pan Tianshou's Way of Changing", "Han Ying Ju Hua - Combining Chinese and Western American Oil Paintings", " Classics for Eternal Generations—Exhibition of Calligraphy and Painting from the Song and Song Dynasties", together constitute the group of special art exhibitions of "Song Rhyme and Modern Brilliance".

The opening scene of the special art exhibition of "Song Yun Jinhui"

On the opening day of the exhibition, Gao Shiming, President and Deputy Secretary of the Party Committee of the China Academy of Art, Wang Yuegong, Vice President of the Palace Museum, Chen Shuihua, Secretary of the Party Committee and Director of the Zhejiang Provincial Museum, Xu Jiang, Vice Chairman of the China Federation of Literary and Art Circles, and Zhejiang Provincial Party Committee Publicity Vice Minister Fan Qingyu delivered speeches successively.

The opening scene of the special art exhibition of "Song Yun Jinhui"

In his speech, Gao Shiming, President of the China Academy of Art and Deputy Secretary of the Party Committee, said that the paintings of the Song Dynasty are rigorous in hills and valleys, and full of vicissitudes. The rich connotations and subtle relationships between heaven and man, and between host and object, are fully reflected in the artistic conception of Song paintings. This exhibition has received strong support from many museums across the country. With dozens of frames of famous calligraphy and paintings of Song, Yuan, Ming and Qing Dynasties, we have shown the thousands of years of Jiangnan sentiment in the history of painting. On the second floor, we also held a thematic research exhibition of Mr. Huang Binhong and Mr. Pan Tianshou, discussing how the two giants of the history of painting in the 20th century responded to tradition in their own ways, and they were unique.

"Song Yun Jinhui" art special exhibition site

"In addition, we have sorted out the copying works of calligraphy and painting of the Song Dynasty by several generations of students of the China Academy of Art since the founding of the People's Republic of China, as well as works of other types of paintings that have been nourished from Chinese paintings in different periods, showing the pursuit and study of classics in the teaching of the academy in different periods. Going forward, we will invite experts from all walks of life across the country to carry out various activities of "reading paintings". The order is clear and echoes each other." Gao Shiming said, "The China Academy of Art is located in Hangzhou, adhering to the thousand-year-old culture of the Song Dynasty Academy of Painting. Its purpose is not to go back to the past, but to open up the present. We believe that inheriting the tradition is not to remain incomplete, but to show the pioneering spirit of the ancients."

"Song Yun Jinhui" art special exhibition site

Wang Yuegong, deputy director of the Palace Museum, said: "Hangzhou is a very representative city of Southern Song Dynasty culture. The cultural relics from the Palace Museum in this exhibition are fine paintings and calligraphy selected around the theme of Hangzhou City and Song Yun Jiangnan. The Palace Museum owns Rich collection resources and academic talents have always shouldered the social responsibility of inheriting and promoting the excellent traditional Chinese culture. In recent years, the Palace Museum has attached great importance to cooperation with universities and achieved fruitful cooperation results. With the successful cooperation of this exhibition, The Palace Museum will further promote wider and deeper cooperation with the China Academy of Art."

Huang Gongwang's "Dwelling in the Fuchun Mountains (Remaining Mountains)" (partial) Collection of Zhejiang Museum

Chen Shuihua, Secretary of the Party Committee and Director of the Zhejiang Provincial Museum, introduced that the China Academy of Art has a long tradition of art, profound humanistic feelings and inexhaustible innovative spirit. The Zhejiang Provincial Museum and the China Academy of Art have a deep relationship and long-term good cooperation. Over the past few decades, we have been delighted to see that Gome has sent many outstanding students to Zhebo, and they have become senior experts and business backbones of Zhebo. As one of the organizers of the special art exhibition of "Song Yun Jinhui", Zhebo has carried out comprehensive and in-depth cooperation with the Art Museum of China Academy of Art, including more than 60 calligraphy and painting works including Huang Gongwang's "Dwelling in the Fuchun Mountains" in the Yuan Dynasty. In charge of the planning of exhibitions such as "Lake and Mountain Range Rover" and "Yeshan Gougu". In the process of exhibition preparation and planning, the business personnel of the two museums cooperated closely and sincerely. It can be said that this exhibition is also an important achievement of the in-depth practice of the two museums.

"Song Yun Jinhui" art special exhibition site

Xu Jiang, vice chairman of the China Federation of Literary and Art Circles and chairman of the Zhejiang Provincial Federation of Literary and Art Circles, believes that the Song Dynasty was the most culturally glorious era in Chinese history. We hold the revival of Song Yun culture as a banner, deeply cultivate the fertile soil of humanities in the south of the Yangtze River, reweave the cultural taste of the literati in the Song Dynasty, which is beautiful, elegant and resentful, and reconnect the broad and profound cultural atmosphere of the nation at the source of Song Yun culture. Bringing the old with the new, stirring from the current, under the guidance of the Provincial Party Committee and the Provincial Government, and with the strong support of various cultural departments across the country, we have collected together the paintings about the scenery of the West Lake and the landscape of Zhejiang since the Song Dynasty across the country, together with Huang Binhong, Pan Tianshou and the freehand oil painting of the Modern Academy of Fine Arts jointly held the "Song Yun Jinhui" exhibition. "The planning and implementation of this exhibition are not easy. The art museum of the Academy of Fine Arts not only shows the love and recognition of Song Yun, but also shows the quality and tenacity of the exhibition implementation." Xu Jiang said.

The opening scene of the special art exhibition of "Song Yun Jinhui"

Fan Qingyu, deputy director of the Propaganda Department of the Zhejiang Provincial Party Committee, said that as an important part of Song Yun culture, Song Dynasty paintings highlight the aesthetic characteristics of the combination of emotion, spirit and verve. During the Song Dynasty, famous painters emerged in large numbers, with extremely gorgeous styles. In particular, the works of the "Four Masters of the Southern Song Dynasty" - Liu Songnian, Li Tang, Ma Yuan, and Xia Gui - exhibited in this exhibition are even more outstanding, and have had a profound impact on the creation of Yuan, Ming, Qing and modern and contemporary Chinese paintings. It is recognized as the most refined painting handed down from generation to generation, a shining treasure of Chinese civilization, and has a very important position in the palace of world culture and art. I believe that in the next month, with the joint efforts of all parties, this exhibition will use paintings as a medium to present a wonderful art feast to the general public, opening a period of "Song rhyme" that contrasts classical and modern. "Wonderful Tour" promotes Song Yun culture to come closer to the side, enter life, and reflect reality.

"Lake and Mountain Range Rover" presents the artistic context of Song Yun calligraphy and painting for thousands of years

Yu Xuhong, curator of the Art Museum of China Academy of Art and chief curator of this exhibition, introduced the on-site tour guide, "Land Rover of Lakes and Mountains-Song Rhyme Jiangnan Calligraphy and Painting Art" special exhibition, which systematically presents Jiangnan from Song, Yuan, Ming, Qing to modern times The region's thousand-year-old Song Yun calligraphy and painting art context. The special exhibition consists of two sections. "Zheshui Fuwen" shows the calligraphy and painting works with the theme of Jiangnan landscape and humanities since the Song Dynasty; The scenic spot has rich humanistic connotation and aesthetic value.

On-site tour guide by Yu Xuhong, director of the Art Museum of China Academy of Art and chief curator of this exhibition

Li Tang's "A Picture of Autumn Waters on Haoliang River" collected by Tianjin Museum

Li Tang is a key figure in the history of Chinese painting across the Northern and Southern Song Dynasties. The "Autumn Waters of the Haoliang River" in the collection of the Tianjin Museum exhibited this time is an important witness of his painting style changing from majestic and majestic to vigorous and free and easy, and it is a rare Song painting treasure.

Liu Songnian "Four Scenery Landscapes" Palace Museum

Liu Songnian was nicknamed "Qingbo" because he lived in Qingbomen. This time his masterpiece "Four Views of Landscape" has "returned" to Shibamen. This group of national treasures hidden in the Palace Museum depicts the four seasons of the West Lake, showing the artist's love for the landscape of his hometown and his meticulous observation of the scenery of the West Lake. It makes Hangzhou viewers who are familiar with the scenery of the West Lake seem to travel through 800 years of time and space. The feelings resonate deeply.

Ma Yuan's "Snow Clogs Viewing Plum Blossoms" Collection of Shanghai Museum

Ma Yuan and Xia Gui are known as "Ma Yijiao" and "Xia Banbian". The general brush and ink of the work "seeing the big in the small" highlights a strong sense of space. In the exhibition, Ma Yuan's "Snow Clogs Viewing Plum Blossoms" (collected by Shanghai Museum), "Songshou Picture" (collected by Liaoning Museum), and Xia Gui's "Picture of Dwelling in Yanxiu Forest" (collected by the Palace Museum) are masterpieces of Song Yunjiangnan calligraphy and painting art. classic work.

Ma Yuan's "Songshou Tu" Collection of Liaoning Museum

Xia Gui's "Dwelling in Yanxiu Forest" Collection of the Palace Museum

There are very few works of Guo Xi in the Northern Song Dynasty. The "Traveling in the Streams and Mountains" on display is the treasure of the Yunnan Museum's calligraphy and painting collections. There are many things; in the Yuan Dynasty Zhao Mengfu's "Run Script Wu Xing Fu", in the Southern Song Dynasty Li Song's "West Lake Picture", Ma Hezhi's "Mao Poetry Picture", the Southern Song Dynasty's anonymous "Liuxia Double Bull Picture", Ming Dynasty Shen Zhou's "Hushan Jiaqu Picture", Wu Bin's "Lotus Social Seeking Friendship Map" are all top collections from major museums.

Li Song's "West Lake Picture" in the Southern Song Dynasty

In addition, the special exhibition also exhibits Huang Gongwang's famous "Dwelling in Fuchun Mountains (Remaining Mountains)" (collected by Zhejiang Museum), which can be called the most popular IP of Yuan paintings.

Be an apprentice with the past and become new with the past, inherit the rhyme of Song Dynasty and show the splendor of the present

It is understood that in August 2021, the Cultural Work Conference of the Zhejiang Provincial Party Committee proposed the implementation of the "Song Yun Cultural Handing Down Project", emphasizing "let the thousand-year-old Song Yun 'flow' and 'inherit' in the new era." "Song Yun Jinhui" is oriented to history, based on the present, and pointing to the future. In this endless cultural foundation chain, Huang Binhong and Pan Tianshou are two peaks.

Huang Binhong "Sitting in the Rain in Qingcheng Mountains" Collection of Zhejiang Provincial Museum

"Yeshan Gougu - Huang Binhong's Song Painting Research and Inheritance" exhibition site

"Yeshan Gougu——Huang Binhong's Song Painting Research and Its Inheritance" shows Huang Binhong's painting path of "learning from the ancients, learning from nature, and gaining the source of heart". He insists on seeking "inner beauty" from within traditional culture, especially in Song Dynasty Respecting the painting, he pushes the traditional landscape painting to a new peak with a vigorous and vigorous style, and realizes the "principle" of the reform in his later years from the real landscape.

Exhibition site of "Building the Highest Peak—Pan Tianshou's Way of Constant Change"

"Establishing the Highest Peak—Pan Tianshou's Way of Changing" presents Pan Tianshou's "Chinese and Western paintings, we must widen the distance", "full understanding of oneself", facing the world with high confidence and broad vision, presented. The weather of new China, the wind god of the new era.

Pan Tianshou "The First Strange Picture of Yanshan Mountain" Collection of the Art Museum of China Academy of Art in the late 1950s

Famous masters such as Huang Binhong and Pan Tianshou have also opened up the process of higher education in Chinese painting and calligraphy through their own liberal arts and penetrating the past and the present. The China Academy of Art is located in Hangzhou, adhering to the millennium context of the Academy of Painting in the Song Dynasty, and is the pioneer of higher education in Chinese painting. In the special exhibition, "Courtesy of Hundred Generations—Exhibition of Painting and Calligraphy in the Song Dynasty", based on the calligraphy and painting copying work of teachers and students of the China Academy of Art, it presents the inheritance and learning of calligraphy and painting in the Song Dynasty in the teaching of the college in different periods; The "Gome Oil Painting" section presents the oil paintings of Lin Fengmian, Zao Wou-ki, etc. extended to and contemporary figurative paintings, expressing the deep context of the fusion of Chinese and Western.

"Song Yun Jinhui" not only needs to respond to the great tradition, but also needs to open up a new world. In 2022, the China Academy of Art will establish the "Chinese Academy of Art (Xianghu)" in Xianghu, Hangzhou, to create a "Chinese Academy of Arts" for the country's art colleagues, to consolidate the foundation and cultivate the talent, to keep the integrity and innovate, to continue the sages and traditions, and to revitalize the historical context. Recruit talents of traditional Chinese culture, and use the Chinese art inheritance system of "communication of art and theory, mutual benefit of Taoism, and mutual development of learning and cultivation" to rebuild the study of "common people" with a wide range of classics and history, and "poetry, calligraphy, painting and seal". From the past to the present, create an academic soil for artistic innovation, and jointly build a large pattern of the Chinese Renaissance, so that the great spirit of Chinese art can be carried forward and become new and grand.

Opening the highest standard social aesthetic education class in authentic works and real landscapes

Song painting, as an aesthetic gene, has long been implanted in the cultural traditions of Chinese people. The scenery in Song paintings is today's lakes and mountains, and they are the details of life that we are very familiar with today. In this painting world, the real fireworks and codes of the times 800 years ago are clearly visible. In the works of the artist, not only the scenery of the times, but also the value of life.

Exterior view of Art Museum of China Academy of Art

The distant view of the Art Museum of China Academy of Art located on the shore of West Lake

The special art exhibition of "Song Yun Jinhui" is also a large class of social aesthetic education, looking for real landscapes in authentic works, releasing the public interface of cultural feelings, and creating a unique social aesthetic education behavior with the highest standards and participation of all people.

"Song Yun Jinhui" art special exhibition site

"Song Yun Jinhui" art special exhibition site

During the exhibition, through a series of wonderful aesthetic education workshops, the connotation will be fully developed. Among them, there are various academic forums for professionals, as well as "art classrooms around you" for primary and middle school students in Hangzhou, and a series of detailed readings of famous paintings led by many painters and scholars, which are shared with the whole people in a multi-media way ...Divided into themes, multi-level, and shared channels, in order to have in-depth exchanges and interactions with more visitors from home and abroad.

It is reported that the exhibition is organized by the Propaganda Department of the CPC Zhejiang Provincial Committee, the Zhejiang Provincial Federation of Literary and Art Circles, the Zhejiang Provincial Department of Culture and Tourism, the Zhejiang Provincial Department of Education, the Zhejiang Provincial Cultural Relics Bureau, the CPC Hangzhou Municipal Committee, the Hangzhou Municipal People's Government and the China Academy of Art. Co-sponsored by China Academy of Art Museum and Zhejiang Provincial Museum. It is jointly organized by the Propaganda Department of Hangzhou Municipal Party Committee, Hangzhou Shangcheng District Committee of the Communist Party of China, Hangzhou Shangcheng District Government, and the Institute of Art Philosophy and Cultural Innovation of China Academy of Art.

The exhibition will run until April 16, 2023.

Attachment: Song, Yuan, Ming and Qing Dynasties reflect the important exhibits of the spread of Song rhyme

Guo Xi, Northern Song Dynasty, "Traveling in Streams and Mountains" Collection of Yunnan Provincial Museum

Zhai Yuanshen, Northern Song Dynasty, "Snow Mountain Returning to Hunting Picture" Collection of Huizhou History Museum, Anhui

Southern Song Dynasty Liu Songnian's "Four Scenery Landscape Map" Volume Palace Museum Collection

Xia Gui, Southern Song Dynasty, "Dwelling in Yanxiu Forest" Collection of the Palace Museum

Southern Song Dynasty Ma Yuan "Plum Viewing Plum Blossoms on Snow Clogs" Collection of Shanghai Museum

Southern Song Dynasty Li Song "West Lake Picture" Volume Shanghai Museum Collection

Southern Song Dynasty Anonymous "Picture of Two Bulls Under the Willow" Shanghai Museum Collection

Southern Song Dynasty Ma Yuan "Songshou Tu" Collection of Liaoning Provincial Museum

Li Tang of the Southern Song Dynasty, "The Map of the Autumn Waters of Haoliang" in the collection of Tianjin Museum

Southern Song Dynasty Ma Hezhi "Mao Poems" Collection of Liaoning Provincial Museum

Yuan Huang Gongwang's "Dwelling in Fuchun Mountains (Remaining Mountains)" Collection of Zhejiang Provincial Museum

Yuan Zhao Mengfu's "Run Script Wu Xing Fu" Collection of Zhejiang Provincial Museum

Ming Wen Zhengming "Landscape Map" Axis Collection of the Palace Museum

Ming Tangyin "Qiantang Scenery Map" Collection of the Palace Museum

Ming Qiuying's "Portrait of Xi Zhi" ("Lin Song Dynasty People's Picture Album") Shanghai Museum Collection

Ming Dong Qichang "Xiaoxiang Baiyun Tu" Collection of Liaoning Provincial Museum

Ming Zhao Yangzhi's "Twenty Scenes of the West Lake Calligraphy and Painting Album" Collection of Liaoning Provincial Museum

Ming Dynasty Shen Zhou "Lake and Mountain Beautiful Picture" Collection of Zhejiang Provincial Museum

Wu Bin of the Ming Dynasty "Picture of Seeking Friends in the Lotus Society" Zhejiang Provincial Museum Collection

Ming Lanying's "Pine River Flying Daggers" Collection of China Academy of Art

Wang Hui of the Qing Dynasty "Scenery of Rivers and Mountains" Collection of the Palace Museum

"Ten Scenes of West Lake" by Yuan Qi, King of the Qing Dynasty, Collection of Liaoning Provincial Museum

Qing Wangjian "Floating Mountains and Warm Green Map" on paper Collection of Zhejiang Provincial Museum

Qing Wang Shimin's "Landscape Map" Collection of China Academy of Art

Qingcha Shibiao "Green Mountains with Heavy Trees and Color Depth Map" Collection of China Academy of Art